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This section does not any. Unsourced material may be challenged. ( August 2017) () • Xiao Xiao #1 is a simple fight between two stick-figure men, parodying the look of by taking the level of violence in the fight to extremes.

• Xiao Xiao #2 adds interactivity; the stick-man (Xiao Xiao) faces a series of physical challenges, the outcomes of which depend on the player's timing. The game contains many features that would later become a staple of the Xiao Xiao series, including revamped animation and character design, most notable the introduction of the series' main antagonist, 'The Boss' (although he is not referred to by name until Xiao Xiao #3), a magenta-colored who acts as the final challenge of the game via a. • Xiao Xiao #3 is a style fight scene in a simple line-drawn building; Xiao Xiao faces off against a seemingly endless series of stick-man opponents (actually around forty enemies) using fast-paced martial arts moves; the simple background, two-dimensional movement, vanishing corpses and regenerating enemies call to mind. The encounter ends in a final showdown between Xiao Xiao and a purple stick-man labeled 'Boss' (another video game reference) in a fight that parodies multiple scenes from (especially Xiao Xiao's last move, a slow-motion air kick which resembles that of at the beginning of the movie as well as using a sound clip straight from the movie). The visual theme of Xiao Xiao, a plain black stick-man, fighting against a purple stick-man Boss, remains constant throughout the series. This is the best known Xiao Xiao animation, and has been shown on.

This Xiao Xiao is one of the more famous and thought of as the one hardest worked on, and is noted to be one of 'the original stick fighting flash movies', and sets the bar for the many stick flash movies. • Xiao Xiao #4 is an interactive first-person shooting game in the style of, casting the player as Xiao Xiao in the role of a -style complete with cowboy hat and six-shooter. It ends with another scripted fight scene with the purple Boss (which parodies another scene from The Matrix).

• Xiao Xiao #5, billed as a ' Battle to the death. And beyond', returns to the two-dimensional fighting-game-reminiscent side-view style of #3. This time Xiao Xiao and the Boss duel using various conventions from and, exhibiting supernatural powers such as the use of spells, the ability to pull weapons out of and to continue their battle through after death.

It is notable for its comedic ending, where an ambulance shows up in the middle of the fight, taking the two characters' dead bodies away. The two look at one another, then both run after the ambulance. • Xiao Xiao #6 returns to Xiao Xiao #2's style but this time with a bit more of a plot, forcing the player to button-mash Xiao-Xiao through a barroom brawl. • Xiao Xiao #7 and #8 are the most elaborate of the animations, forsaking the side-view of previous Xiao Xiaos for a fully three-dimensional, cinematic camera view throughout. Once again riffing on films like The Matrix, they depict Xiao Xiao's infiltration of the Boss's mansion and his pursuit after the Boss escapes. Vospitanie nikolaya petrovicha kirsanova citati.